Dr Rupert Till is a composer, musicologist and musician. Having studied composition with Gavin Bryars, Katharine Norman and George Nicholson, he is now a member of staff at the University of Huddersfield. A founder member of the Abstract Film Orchestra and electronica group Chillage People, he continues to be an active composer and musician, based in the north of England.
He is a composer with experience of composing and performing in many styles and formats. This has included:
He is currently a member of ambient electronica group the Chillage People. They have performed and recorded internationally, recent highlights including:
He is interested in the interaction of postmodernity, music and culture and has written papers on
He is an experienced sound engineer and producer, as well as a DJ.
He is interested in creative uses of spatialisation, and microphone and loudspeaker design, and is pursuing patent applications for new kinds of microphone and loudspeaker as well as for a new form of synthesis.
At present he is working on a trance remix for Planet Zogg records, and a studio arrangement of a 2000 year old Buddhist Mantra.
Till, Rupert (2009) Possession Trance Ritual in Electronic Dance Music Culture: A Popular Ritual Technology for Reenchantment, Addressing the Crisis of the Homeless Self, and Reinserting the Individual into the Community. In: Exploring Religion and the Sacred in a Media Age. Ashgate, Farnham, pp. 169-188. ISBN 978-0-7546-6527-4
Till, Rupert (2007) The blues blueprint: the blues in the music of the Beatles, the Rolling Stones, and Led Zeppelin. In: Cross the Water Blues: African American Music in Europe. University Press of Mississippi, Jackson, Miss., pp. 183-202. ISBN 1-57806-960-2
Till, Rupert (2007) Nanotechnology and the iPod. [Composition]
Till, Rupert (2006) Mixing experimental and popular musics. In: Art Of Record Production 2006 Conference, 8-10 September 2006, University of Edinburgh.
Till, Rupert (2006) The Nine O'clock Service: Mixing Club Culture And Postmodern Christianity. Culture and Religion, 7 (1). pp. 93-110. ISSN 0143-8301
Composition;
Popular Musicology;
Music and Religion;
Religion and Popular Music;
Postmodernity, reconstruction, reenchantment, liquidity and the post/enlightenment/post-historical, and their relation to music; music and meaning;
Archaeoacoustics;
Music and the Neolithic;
Club cultures and electronic dance music.
E-mail: r.till@hud.ac.uk
Telephone: 01484 472141
Address:
CAM1/31
University of Huddersfield,
Queensgate,
Huddersfield, HD1 3DH
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